Three new piano models – a Japanese Grand, a Plucked Grand, and a Interface that serves to unlock the potential of FM synthesis andĬollection of modelled (mostly) grand and upright pianos. Instead of recreating the DX7 as was, Arturia has significantlyĮxpanded its feature set and combined it with a user friendly The Yamaha DX7 left an indelible mark, some would say stain, on theġ980s, with its perfect storm of obtuse interface, alien synthesis,Īnd preset for every occasion (and indeed every function band). Together this comboĮnables you to recreate a variety of era defining tones. These include a compressor, chorus, flanger, phaser, analogueĭelay, wah, and most importantly auto-wah.
That would typically have been used with a Clav during the ’60s & However, instead of merely modelling a Clavinet, Arturia includes aįenderesque amp and a pedalboard’s worth of the sort of stomp boxes One of the funkiest keyboard instruments of all time and Arturia’sĬlavinet V does a fine job of recreating it on the 0’s and 1’s. Though it unquestionably excels at generating weird noises. That show it to be so much more than merely a weird noise generator, To programme than one might imagine, it includes a wealth of presets V, which recreates Don Buchla’s legendary semi-modular synth. Let’s review…īuchla Easel V, Clavinet V, CMI V, DX7 V and upgraded Analog Lab andĬoast weirdness, you need look no further than Arturia’s Buchla Easel
#Arturia piano v3 review plus
That was version 5, which included the ARP 2600 V, B3 V, CS-80V, Farfisa V, Jup-8V, Matrix-12 V, Mini V, Modular V, SEM V, Piano V, Prophet-V & Prophet VS, Solina V, Stage 73 V, Synclavier V, Vox Continental V, Wurli-V, and Analog Lab (which houses all 6000 plus patches from these synths/keyboards and enables you to quickly sort, filter & combine them). The last time that we tested Arturia’s suite of virtual classic keyboards, we named it “Best Old Skool Soft Synth Collection” in The Technofile Awards.
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